So, you are a band and you have just released your most successful studio album yet. So what do you do for the follow up album? Release one with a completely different sound!

Signals is the ninth studio album by Canadian Progressive Rock band Rush, released in 1982 through Anthem Records in Canada and Mercury Records internationally. The follow up to their best selling album Moving Pictures, Signals was highly anticipated upon release and many fans felt to it was going to be Moving Pictures: Part 2.

But they were wrong. From the opening song “Subdivisions”, the band had a new sound. It was more keyboard-driven and included more new wave and reggae influences, with the band being influenced by artists like The Police. The album contained their only Top 40 hit, “New World Man”, hitting #21 on the Billboard Hot 100 pop charts. It was also their only #1 pop hit in their home country of Canada. Other memorable songs of the album was “The Analog Kid”, “Digital Man”, and “Countdown”. This was also their last album to be produced by long-time producer, Terry Brown.

While now regarded as one their best albums, at the time this was easily the most controversial album the band released in their career. Fans wanting more of their Permanent Waves and Moving Pictures sound felt betrayed by the shorter songs, topical lyrics, and the focus on the keyboards. Rush would continue with this approach for the rest of The '80s. Rush's “synth era” was born.

Tracklist:

Side One

1. "Subdivisions"
2. "The Analog Kid"
3. "Chemistry"
4. "Digital Man"

Side Two

5. "The Weapon (Part II of Fear)"
6. "New World Man"
7. "Losing It"
8. "Countdown"

Principal Members:

• Geddy Lee - lead vocals, bass, synthesizer
• Alex Lifeson – guitar, synthesizer
• Neil Peart - drums, percussion

New World Tropes

• Album Title Drop: The word "Signal" is mentioned in "Chemistry".
• Bookends: "Countdown" ends with a reprise of the instrumental backing of the "Subdivisions" chorus, though it feels a lot less desperate, to the point of qualifying as a Triumphant Reprise.
• Cut-and-Paste Suburb: Discussed in "Subdivisions", how everything is pre-fabricated and pre-decided.
• Epic Rocking: "Digital Man" and "The Weapon" are both over 6 minutes.
• New Sound Album: The most radical change for a Rush album, with synthesizers driving most of the songs, reduced song lengths, and more topical themes for the song's lyrics.
• One-Word Title: "Chemistry", "Subdivisions"
• Shout-Out: The subdivision blueprint on the album's back cover includes references to Dirk, Lerxst and Pratt — the band members' nicknames — as well as a site for "Warren Cromartie Secondary School," named for a baseball player who was with the Montreal Expos at the time of the album's release (not to be confused with Cromartie High School).
• Soul-Sucking Suburbia: The main theme of lead single "Subdivisions".
  Any escape might help to smooth
  The unattractive truth
  But the suburbs have no charms to soothe
  The restless dreams of youth
• Step Up to the Microphone: In "Subdivisions", Neil says the name of the song before each chorus, but Alex lip-syncs the word in the video.
• Surprisingly Gentle Song: "Losing It".
• Triumphant Reprise: The instrumental reprise of the "Subdivisions" chorus at the end of "Countdown".
• Uncommon Time: Well... it's Rush. For two examples, "Subdivisions" bounces all over the place and "Losing It" contains significant portions in both 5/8 and 11/8.