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Sia Kate Isobelle Furler (born December 18, 1975) is an Australian Singer-Songwriter, professionally known simply as Sia, primarily known for the dramatic ballads she writes and performs, and her signature face-concealing wigs she wears for most public appearances.

Born and raised in Adelaide, South Australia, Sia got her start in the mid-1990s singing in a local acid jazz band called Crisp, up until they disbanded in 1997, when she independently released her debut album OnlySee. After relocating to England whilst coping with the loss of her first boyfriend, she released the Contemporary R&B album Healing is Difficult, followed by the more folk-oriented Colour the Small One; neither album achieved significant attention. Simultaneously, she acted as an unofficial frontwoman for electronic duo Zero 7, writing and performing on songs from three of their albums. Sia subsequently moved to the United States, releasing her fourth album Some People Have Real Problems and beginning to establish herself as an Indie Pop artist.

Sia's fifth album, the more indie pop-rock We Are Born, was successful back in Australia, and collaborations with other high-profile musicians boosted her popularity. At this time, Sia grew uncomfortable with the dramatic increase of public attention, exacerbated by personal health issues and addictions; she would often distort her image on press shots and at live shows. After her sixth album, pop-oriented 1000 Forms of Fear, and its smash-hit lead single "Chandelier", was released to mainstream acclaim, Sia decided to stop showing her face in public shows, instead making every public appearance either with her back to the audience or covering her face with a now iconic bob-styled wig in an effort to protect her privacy. Oh, and also because of an admitted extra sense of mysteriousness. Sia's next album, This Is Acting, was released to similar acclaim, spawning huge singles like "Cheap Thrills" and "Unstoppable", and she toured the album extensively after a years-long break from touring as well as making a name for herself as a songwriter for other artists. In 2017, she released Everyday Is Christmas, in which the single "Snowman" would become a Sleeper Hit and achieve huge success the following decade. In 2018, Sia formed the supergroup LSD with Diplo and Labrinth, and their debut album released in 2019.

Sia directed and co-wrote the film Music. The movie stars Kate Hudson as Zu, a drug dealer fresh out of rehab, who is tasked with taking care of her non-verbal autistic half-sister Music, played by Sia's protégé Maddie Ziegler. Music came out in the early months of 2021, and despite controversy and negative reviews (mainly regarding its portrayal of autism), the movie managed to get nominated for two major Golden Globes: Best Picture - Musical or Comedy, and Best Actress – Motion Picture Comedy or Musical for Kate Hudson. The film was accompanied by an album with the same name. In 2024, Sia released her tenth album, Reasonable Woman.

She is the cousin of Peter Furler, former frontman of Christian rock band Newsboys.

Discography

as Sia

• OnlySee (1997)
• Healing is Difficult (2001)
• Colour the Small One (2004)
• Some People Have Real Problems (2008)
• We Are Born (2010)
• Best Of... (2012)
• 1000 Forms of Fear (2014)
• This is Acting (2016)
• Everyday Is Christmas (2017)
• Music - Songs from and Inspired by the Motion Picture (2021)
• Reasonable Woman (2024)

with LSD

• Labrinth, Sia & Diplo Present... LSD (2019)

This is troping about Sia:

• A cappella: "Mad Love" and "Tripoutro" on OnlySee.
• Adam and/or Eve: "Fire Meet Gasoline".
  I'm Eve, I wanna try
  Take a bite
• Adam Westing
  • Her appearance on The Late Late Show's "Carpool Karaoke" is introduced by James Corden driving by, to see Sia (in her full wig) stumbling aimlessly around a sidewalk and requiring almost a minute of help getting into the car.
  • An ad for Google Assistant, an app that allows the user to record vocal messages hands-free, has Sia coming up with a song hook in her makeup chair and looks to make a note of it. However, her wig is already on and so finding a way to mark it down goes awry.
  • Sia portrays caricatures of herself in the television series Nobodies and her film Music (2021).
  • Also, her voice role as herself in Scooby-Doo and Guess Who?, which exaggerates her quirkiness.
• Addiction Song: "Chandelier" is sung from the perspective of a Hard-Drinking Party Girl describing her drunken antics (including swinging from the chandelier). She also admits she's "just holding on".
• Advertised Extra: Sia's character Songbird Serenade in My Little Pony: The Movie (2017) is featured front-and-center on displays at stores as if she is the protagonist, has her own plush toy, a large plastic doll, and a lot of other miscellaneous merchandise, but she appears only at the beginning, for one scene halfway through, and for the first credits song, with very little plot relevance. Undoubtedly this is to draw in fans of Sia, as she voices Songbird and is the basis for her design. Averted with the advertisement not related to the toys though, in which she is either in the background or absent entirely.
• Age-Inappropriate Art: The music videos for "Chandelier" and "Elastic Heart" have run into controversy due to this trope. The dancing by itself isn't inappropriate (it's just interpretive dance), but the fact that the dancer, pre-teen Maddie Ziegler, is doing it in skin-colored clothes, is what caused people to think twice. The "Elastic Heart" video has it worst because it contains the girl in a cage with Shia LaBeouf, who is shirtless and also wearing skin-colored shorts. It doesn't help that the video is incredibly vague on what it's about. Some interpret it as being about a daughter dealing with an addicted or depressed father, while others think it's about a single dad whose daughter is entering adolescence, but those are just unofficial interpretations.
• Artistic License – Biology: One does not typically drink oxygen, which Sia wants to do in "House On Fire":
  Babe, I'm gonna drink you in like oxygen, like oxygen
• Adult Adoptee: Sia adopted two 18-year-old sons who had barely aged out of foster care, while at the same time became a grandmother at age 44.
• Album Title Drop: "The Fight" drops 'we are born'.
• The Alcoholic: The protagonist of "Chandelier." Sia herself has suffered addictions to painkillers and alcohol in the past.
• Alter-Ego Acting: Her album This is Acting is made up entirely out of rejected songs originally written for other singers, making it sort of a Concept Album.
  • Prior to mainstream fame, Sia said: "A lot of people come up to me expecting to meet the person they have seen perform. It's not going to happen, unless my mania, my stage person, responds to them and not the real me." The mania she describes seems to just be a quirkier version of herself, which she later regretted creating due to her inability to maintain it while suffering from depression. Post-fame, Sia remains almost completely silent at shows (except for singing).
• Alternate Music Video: Sia's very first single, "Taken For Granted", had two music videos.
• Amicable Exes: The reason for Sia joining her local band Crisp in the 90s is because she bumped into an ex-boyfriend she dated as a teenager, Sam "Muskrat" Langley, who was looking for a singer in his band.
• Animated Music Video: "Hey Boy" ft. Burna Boy.
• Audience Participation Song: Sia said on The Graham Norton Show that this was a singing tip Adele gave her; when you're having trouble hitting the right notes, hold the mic out to the audience!
• Award-Bait Song
  • My Little Pony: The Movie (2017) has Sia's "Rainbow".
  • Wonder Woman (2017) has Sia and Labrinth's "To Be Human".
  • Music has "Together", a song about The Power of Friendship and how Children Raise You.
• A Wild Rapper Appears!: "Cheap Thrills" features Sean Paul and "The Greatest" features Kendrick Lamar.
  • Subverted in her cover of Neneh Cherry's "Manchild", in which Sia not only sings but also raps.
• Badass Boast
  • The chorus of "Unstoppable," as the title would suggest. The verses, however, reveal that the narrator is a Stepford Smiler too scared to let her feelings show.
    I'm unstoppable
    I'm a Porsche with no brakes
    I'm invincible
    Yeah, I win every single game
    I'm so powerful
    I don't need batteries to play
  • ''Immortal Queen" with Chaka Khan:
    And in one thousand million years
    I'ma still be everywhere
    You won't forget me, the immortal queen
• Beauty Contest: Sia criticizes these - especially childrens' ones - in "Fame Won't Love You".
  Watch children cry
  The pageant sells a lie
  Third place isn't winning, you know
  Neither is first
  The pressure and the thirst
  For the skeleton's show
• Be Careful What You Wish For: Quoted in "Broken Biscuit".
• Birdcaged: The "Elastic Heart" music video.
• Blackmail Backfire: Released her own nude photo upon discovering that a paparazzo was trying to sell it to her fans.
• Bowdlerise: "The Girl You Lost to Cocaine" would often be shortened simply to "The Girl You Lost".
• Break-Up Song:
  • "Insidiously" falls into the non-romantic category.
    I tell you if that's what you're about
    Friends like you I can do without
  • "The Girl You Lost to Cocaine".
    No I just don't wanna, so I'm walking away
    There is nothing that you can do, I will not stay
    No I don't need drama, so I'm walking away
    Yeah I am a girl with a lot on her plate
  • "Big Girls Cry" and "Elastic Heart" both allude to a relationship break-up.
  • "Confetti" is about Sia becoming aware of the man she loved being unfaithful.
  • "I Had a Heart" details Sia's painful relationship with her ex-husband.
    I gave you my heart and my credit card
    I thought we'd be together forever
    I loved you so much, your smile, your touch
    I thought we'd be together forever
• B-Side
  • "Sea Shells" was this to "Breathe Me".
  • "Cares at the Door" was this to "Day Too Soon".
  • "Blame It on the Radio" was this to "The Girl You Lost to Cocaine".
  • "Bring It to Me" was this to "Soon We'll Be Found".
• Call-and-Response Song: In the Banx & Ranx remix of "1+1", featuring Yandel and Sofia Reyes singing in their native Spanish, the last verse is a bilingual call & response between Reyes and Sia.
• The Cameo
  • Appeared as herself in a 1997 episode of Home and Away.
  • Briefly appears as a New York Bar Singer in the 2004 film Piccadilly Jim.
  • As well as contributing to the soundtrack, Sia played the Animal Care & Control Volunteer in Annie (2014).
• Captain Obvious: "Drink To Get Drunk" contains lines such as:
  To make noise I use my breath
  To unlock doors I use a key
  And when I'm looking for something I use my eyes
• Casting Gag: Sia as a kangaroo (both are Australian) in Lil Dicky's Charity Motivation Song "Earth".
• Celebrity is Overrated: Hated the fame and attention towards her when she released We Are Born, with her constant touring and growing popularity taking an extreme toll on her mental health, prompting her to become a invoked Reclusive Artist. As a matter of fact, as early as 2005 Sia had expressed discomfort with the idea of becoming super famous.
  • Sia addresses this in her duet with Paris Hilton, "Fame Won't Love You":
    Fame won't love you like a mother, like a father should
    And you may wish for Oscars, Grammys and blockbusters
    But they won't love you like a brother, like a lover should
• Chandelier Swing: "I'm gonna swing from the chandelier, from the chandelier..."
• Changed for the Video: The music video for "Little Man" uses a different version of the song than the album version.
• Cheap Heat: Often for "Cheap Thrills": "C'mon, c'mon, turn (insert local station here) on."
• Chimney Entry: Appropriately used by Santa - or at least, the guy dressed like Santa - in the music video for "Santa's Coming For Us".
• Christmas Elves: Mentioned throughout "Sunshine".
  Tell me your secrets tonight
  I'll take 'em with me, and I'll get the elves workin' on them in the workshop
  We'll take your problems apart, put 'em back using our hearts
  Got the elves working so hard, make your pain stop
• Christmas Every Day: Pretty much what the title of her Christmas album is… "Everyday Is Christmas". The title track, however, is about Sia's lover making her feel like every day together is perfect.
  Every day is Christmas when you're here with me
  I'm safe in your arms, you're my angel, baby
  Every day is Christmas when you're by my side
  You're the gift that keeps giving, my angel for life
• Christmas Songs: Everyday Is Christmas, featuring 12 original songs. Eight bonus tracks - Seven originals and one cover - have been released since.
• Christmas Town: "Candy Cane Lane".
• Cloud Cuckoolander
  • As evidenced by her Twitter account. Her bio is "i am sia, i was born from the bumhole of a unicorn named steve." Also, Sia named one of her dogs "Turtle" because it's "so turtley."
  • Whilst touring her fourth and fifth albums, Sia performed a few original ditties between normal songs, such as Pee On You and Rat Poop.
  • She has also expressed a religious belief in a higher power known as "Whatever Dude", who is a "a queer, surfing Santa" that resembles her grandpa. In case you think she's just trolling, she has a tattoo of this.
  • She once began an interview with Rolling Stone magazine by apologizing for taking so long to pick up the phone because she was busy "taking a wee".
• Colorful Song: Not a song about colors, but the pre-chorus of "Candy Cane Lane" mentions multiple to highlight the colorful nature of the titular location. Also doubles as a reference to the song "I Can Sing a Rainbow".
  Red and yellow and pink and green
  Orange and purple and blue
• Concept Video: "Elastic Heart"
• Conveyor Belt Video: In "You've Changed", Played With the children who rotate on platforms at the beginning of the video. Then, in an absolutely literal sense, phrases and words on signs glide through a moving belt below Sia.
• Cope by Creating: "Bird Set Free".
  And I don't care if I sing off-key
  I find myself in my melodies
  I sing for love, I sing for me
  I shout it out like a bird set free
• Counting Song:
  • "12 Nights" is essentially just the following verse, repeating twelve times with the number counting down.
    Oh, Santa, I adore ya
    Oh, I'll be waiting for ya
    Rudolph and his explorers
    Twelve nights 'til Christmas Day is here
  • "3 Minutes 'Til New Years" is given a short countdown in the bridge; the song is intended to be played, as the title suggests, exactly three minutes before midnight on New Year's Eve.
• The Cover Changes the Meaning: Sia's cover of "Gimme More" by Britney Spears is considerably more melancholy than the original.
  • Averted with "Satisfied" from The Hamilton Mixtape. The cover names Alexander Hamilton and Elizabeth and Angelica Schuyler by name, indicating that Sia, Miguel and Queen Latifah are singing from the perspective of the characters/historical figures.
• Cover Version
  • She's done one of The Church classic "Under the Milky Way".
  • Of "Oh Father" by Madonna.
  • Of "Unforgettable" by Nat King Cole for the soundtrack of Finding Dory.
  • Of "Satisfied" (with Miguel and Queen Latifah) for The Hamilton Mixtape.
  • Of "Solsbury Hill" by Peter Gabriel.
• Crappy Holidays
  • "My Old Santa Claus" describes Sia dealing with a break-up around Christmas.
    'Cause if Christmas is so green and so red, then why am I so blue, why am I so blue?
  • "Pin Drop" describes Sia fearing being alone on Christmas.
• Crystal Ball
  • Mentions needing one in "Deer in Headlights".
  • Mentioned in her unreleased song "Too Beautiful".
    The crystal ball sees only pain for any man who comes my way
• Dark and Troubled Past: Her history of mental health problems (complex-PTSD originally misdiagnosed as bipolar disorder, panic attacks, and various addictions) provides a lot of inspiration for her lyrics.
• Darker and Edgier: 1000 Forms of Fear tears down the funny, quirky image from the previous We Are Born and weave anew the violent and dark lyrics with heavy instruments.
• Deconstruction: "Chandelier" is one to the typical pop party song. The singer is staying up all night, partying and drinking... and their alcoholism and general lifestyle have serious consequences, and possibly are the result of depression and suicidality.
• Deer in the Headlights: Has a song called "Deer in Headlights", and also says the phrase in "She Wolf (Falling to Pieces)".
• Deliberately Monochrome: The "Cheap Thrills" lyric video.
• Destructive Romance: A theme explored in many of her songs.
  • "Little Black Sandals" describes Sia escaping a powerful and abusive man, who is metaphorically referred to as a "giant". However, in the bridge she admits that:
    Sometimes I'm tempted, sometimes I am
    I would be lying if I said I didn't miss that giant man
    He was the line between pleasure and pain
  • "Straight for the Knife": Much of the song describes a physically abusive boyfriend who scares Sia, however the bridge reveals that despite this she is still "hungry for [his] bad loving".
  • "Free the Animal": Sia describes both desiring to kill her lover and begging to be killed herself, but metaphorically the song could be interpreted as Sia struggling with an abusive relationship: deep down she wants to be free of him, but she also seems to like the pain and wants more of it.
• Determinator: "Never Give Up" from the 2016 movie Lion — which is based on the story of Real Life Determinator Saroo Brierley, who was separated from his family in India as a child, was adopted by an Australian family, and set out to find, and was reunited with, his birth family 25 years later.
  • Also in "Titanium". And "Elastic Heart", and probably more. Even "Rainbow" has shades of this. She likes this trope a lot, which is perhaps unsurprising given all of the things she's been through in her life.
• The Diss Track
  • "Confetti" and "Play Dumb" are jabs at a cheating ex. However, whether or not the songs describe fictional scenarios or true events remains unknown, and despite her marriage with Erik Anders Lang falling apart presumably due to her infertility, she has never accused him of being unfaithful.
• Domestic Abuse: The final verse of "Fear" alludes to this.
  Sacha's afraid of her Marco
  She's thinks that it's all her fault
  But if he did what he does to a stranger
  He'd be locked up and charged with assault
• Driven to Suicide: Possibly in "Straight for the Knife". The song describes a physically abusive relationship, but the bridge indicates that her boyfriend's abuse may also be verbal which causes her to want to hang herself.
  But will someone find me swinging from the rafters?
  From hanging on your every word?
• Driving Song: "Beautiful Calm Driving" alludes to this.
• Drowning My Sorrows: In "Chandelier", the protagonist is an alcoholic and uses partying to mask her depression and loneliness.
• Drugs Are Bad: Says this in "That's Life", where she autobiographically mentions how she attempted to use drugs as a way to cope with fame, but upon getting sober she found that surrounding yourself with good people and getting help was what she needed.
  But when the toxin is fame
  The drugs, they don't fill the hole, no
  Connection's the game
• Drunken Song: If you listen closely, the pre-chorus to "Chandelier" ("1, 2, 3, drink") is autotuned which makes it sound as if Sia is slurring due to drunkenness, which fits with the theme of the song.
• Early-Installment Weirdness: Her debut album OnlySee is very trippy and experimental.
• Eat the Camera: The camera zooms into Maddie Ziegler's mouth at one point in "The Greatest" music video.
• Epic Fail: Described in "Straight for the Knife".
  If your goal was to love, you scored an epic miss
• Epic Instrumental Opener
  • In the live version of "Distractions" from Lady Croissant, Sia doesn't begin singing until 55 seconds in.
  • Downplayed with "Burn the Pages", which has about half a minute of instrumental introduction.
• Epic Rocking: "Dressed in Black" is 6:40.
• The Ending Changes Everything: "Butterflies" seems like a cute Silly Love Song, but the final line comes off as surprising and affects the songs meaning: "'Cause we came from the same cocoon".
• Eyes Out of Sight: Her established look, a black-and-white bob wig that covers everything but her mouth.
• Face on the Cover: Healing is Difficult, Some People Have Real Problems, and We Are Born, which caused older fans some puzzlement when she decided to become The Faceless in public in 2014.
  • Her face is the one on the original cover of This Is Acting, albeit distorted.
  • Maddie Ziegler can be seen on the cover of This Is Acting: Deluxe Edition and Everyday Is Christmas.
• The Faceless: Became this in 2014, with the explanation of a disillusionment with her fame; she often wears large wigs or accessories that cover her eyes, and has done live performances with her back facing the audience. Or she will have Maddie Ziegler portray a young version of herself.
• Face Your Fears: Sia urges a friend to face his fears in pursuing a relationship with a woman in "Salted Wound". The line, "feel the fear and do it anyway", references the self-help book of the same name by Susan Jeffers.
• Fade Out: "Day Too Soon", Soon We'll Be Found", "Under the Milky Way", "Broken Glass", "Everyday Is Christmas".
• Family-Unfriendly Violence: 1000 Forms of Fear has been called far too violent and introspective for Top 40 radio. Most evident in "Free the Animal":
  Detonate me (shoot me like a cannonball)
  Granulate me (kill me like an animal)
  Decapitate me (hit me like a baseball)
• Fangirl: Says she was one of David Letterman as a child, and her excitement upon meeting him on The Late Show with David Letterman in 2008 is quite obvious. She also cites Stevie Wonder as one of her main influences, described a memorable experience meeting him when she was 11, and name-drops him in her 2020 single "Together".
• Fake-Out Fade-Out: "Breathe Me" seemingly finishes after its second chorus, before the music starts again and an instrumental closes the song.
• Fear Song: "Fear", detailing many people/characters' fears, including Sia's own. For example, her mother's afraid of the subway, Ade is afraid of commitment, Ella is worried about her weight, etc.
• '50s Hair: The "Cheap Thrills" lyric video features a very '50s retraux vibe reminiscent of dance shows like American Bandstand, down to the costumes and hairstyles. Only one couple gets the anachronism, with both donning Sia's signature two-toned wig.
• Friendship Song: "Natale's Song".
• The Four Chords of Pop: "Cheap Thrills" is of the minor key version (i-VI-III-VII).
• Fun with Acronyms: LSD, the supergroup consisting of Labrinth, Sia and Diplo. They ran with the other meaning of the acronym by making the cover of their debut album a trippy Design Student's Orgasm illustration of the group members.
• Gay Euphemism: Downplayed in "Judge Me", which seems to be about facing homophobia but it isn't explicitly stated. Sia later identified as queer years after the song was released.
  It's such a terrible terrible shame, you keep on judging me in His name
  You're so quick to shift the focus, but you can't find yourself in today's frame
  But I know He'd approve, and I've nothing to prove to you
  He smiled down on me lovingly, lovingly
• Genki Girl: During her tours and interviews from the 2000s through to the release of We Are Born in 2010, Sia's quirky, energetic stage presence and childlike personality was highly noticeable. Post-fame, Sia has stated in reflection that besides usually being drunk or high on her early tours, she had set herself up for failure by creating such a quirky persona that she could no longer maintain due to the fact that in her personal life she was suffering from depression.
• The Gimmick: In a time where pretty much all mainstream pop stars seemed to be Attention Whores, her face-concealing wig was this to the general public when she made it big in the mid-2010s. Sia actually admitted to it being a gimmick / marketing tool to some degree, but it was absolutely necessary as she did not want fame and it still came from a true desire for as much anonymity as possible.
• Greatest Hits Album: Released in 2012, ironically before she became a famous household name.
• Grief Song: Sia acknowledges the death of her first love, Dan, a few times in her Healing Is Difficult album.
  • "Fear":
    And sometimes I worry my boyfriend will die
    My first love is already dead
  • "Drink To Get Drunk":
    They say change and pain is a positive thing
    So have I changed since you died?
  • Her cover of "I Go To Sleep", where she imagines her deceased partner still being with her.
  • "My Love", which was recorded for the soundtrack of The Twilight Saga: Eclipse.
• Hanging Up on the Grim Reaper: In "Reaper", the protagonist is being stalked by The Grim Reaper, but she rejects him in favour of all the things in life she has yet to experience.
  • A similar theme is explored in LSD's "Heaven Can Wait", although that does not explicitly refer to a Grim Reaper.
• Hard-Drinking Party Girl: She was this in the past and references it in her lyrics. See Deconstruction.
• Heel–Face Turn
  • "The Bully" is an apology to a girl Sia used to bully in primary school.
  • Describes her formerly promiscuous lover changing for the better in "You've Changed".
• Hidden Depths: In recent years, Sia has expressed strong interest in attachment theory.
• Hidden Track: In some edition of Some People Have Real Problems, "Buttons" comes into play after a long pause at the end of "Lullaby".
• Honorary Uncle: Men at Work frontman Colin Hay is this to Sia. Due to being a close family friend and a former bandmate of her father, Sia affectionately refers to him as "Uncle Collie".
• Hymn to Music: "Music" and LSD's "Audio".
• I Can Change My Beloved: Seems to have been successful in "You've Changed".
• Iconic Outfit: Her platinum blonde (+/- black) wig with either a big floppy hat (usually black, though sometimes other colours) or a gigantic hairbow (see page image). Or sometimes even both. Even better, her real hairstyle prior to donning the wig was a blonde bob cut with bangs. The cover of 1000 Forms of Fear is just a blonde wig to represent her. The half-black wig is also on the cover of This is Acting.
• If I Can't Have You…: The subject of her Zero 7 collaboration, "If I Can't Have You".
  Now I watch you bleed
  You had all I need
  How I love you so
  Now we'll never know
  If I can't have you
• I Hate Past Me: In "Towards the Sun". Overlaps with Old Shame.
  Can't see the old me
  What a mess
• Incredibly Long Note: Downplayed; Sia's longest held notes seem to be about 12 seconds. She notably holds a longer note than usual in this performance of "Breathe Me", as well as a belt of similar length in her performances of "Titanium" on the Nostalgic for the Present tour.
• In Da Club: One can associate "Wild Ones" with Flo Rida as this; according to the chorus, she wants to "shut down the club", but as of the 2020s, Sia loves to point out the irony that, as a 40-something-year-old woman, she is not shutting down any clubs.
• Ink-Suit Actor: Songbird Serenade, her character in My Little Pony: The Movie (2017), looks exactly like her turned into a pony, and is also a famous singer in-universe.
• Indecipherable Lyrics: Almost unanimously agreed that Sia - at least in some songs - is very difficult to understand. Although vocal stems are usually easier to understand, proving that this is often a case of the music drowning out her vocals. Still, played very straight on occasion; just try and decipher what the lyrics in the first verse of "Titans" are!
• Intercourse with You
  • Her unreleased song, "Testosterone".
    Can you feel the chemistry?
    Yeah, you and me should be doing it right now
    Yeah boy, you want it? That's cool
    'Cause I'm feeling you too
    It's your testosterone, testosterone, testosterone
  • "Waterfall" with P!nk. Not all the lyrics, but these raise some eyebrows:
    I have lost control
    I paddle, but you're too strong
    But I gotta trust your flow
    'Cause boy, I'm in your waterfall
  • "One Night", complete with Sia moaning!
    You know what's gonna happen next (pleasure, pleasure)
• Intergenerational Friendship: Has formed a close-knit bond with the star of her Chandelier trilogy of music videos and frequent collaborator, Dance Moms' Maddie Ziegler.
• Internet Stalking: On "Déjà Vu" with Giorgio Moroder (alongside supernatural means of stalking):
  Witchcraft, voodoo, love spells and Facebook
  Potions, lotions, perfume to find you
• Interrupted Suicide: Her collaboration with David Guetta, "The Whisperer" revolves around somebody helping Sia - whether intentionally or not - and bringing her out of a suicidal state. In real life, Sia has revealed that she survived a 2010 suicide attempt after a friend called her.
• Isn't It Ironic?
  • Coke ads for the Olympics and Australian supermarket Coles using "Breathe Me", a song about depression, self-harm, or attempted suicide. Granted, they only used the instrumental part after the lyrics end.
  • An ad for Christian Dior perfume starring Natalie Portman used "Chandelier" — the ad is meant to associate the scent with an epic tale of passionate love, but the song is about alcoholism and the downside of a hard-partying lifestyle. The ad only uses the chorus and pre-chorus of the song, and even then cuts the word "drink" out of the line "one, two, three, drink". Out of context, "I'm gonna swing from the chandelier / I'm gonna live like tomorrow doesn't exist" sounds more romantic than self-destructive, so it's only jarring to those who know what the song is actually about.
• It's Okay to Cry: This aesop is highlighted in "Death by Chocolate", with the following three lines being the first line of each verse:
  Death by chocolate is a myth
  Death by crying doesn't exist
  Death by anger, this is true
• I Just Want to Be Free:
  • "Free Me":
    Free me, free me
    From this pain I've been running from
    I'm tired and I'm free falling
    Free me, free me
    From this shame I'm been running from
  • "Chandelier":
    Help me, I'm holding on for dear life
    Won't look down, won't open my eyes
    Keep my glass full until morning light
    'Cause I'm just holding on for tonight
  • "I'm In Here":
    Can't you hear my call?
    Are you coming to get me now?
    I've been waiting for
    You to come rescue me
• I Just Want to Be Loved: "Wanna Be Known".
• Kubrick Stare: One of the opening shots of the music video for "Elastic Heart" features Maddie Ziegler making this face at Shia LaBeouf.
• Lighter and Softer
  • Fans of Sia expected as much from her when she was announced to be recording a song, "Rainbow", for My Little Pony: The Movie (2017). What caught many off guard is that the song, while definitely one of her more uplifting tracks, is still fairly moody for one that was for what was assumed to be a strictly light-hearted kid's film, including themes of trauma, sorrow, and redemption.
    I can see a rainbow in your tears as they fall on down
    I can see your soul grow through your pain as they hit the ground
    I can see a rainbow in your tears as the sun comes out
    As the sun comes out
  • Generally, a lot of Sia's music released after 2014's 1000 Forms of Fear is more upbeat, motivational and positive than much of her work beforehand.
• Lipstick Mark: Both "Confetti" and "Play Dumb" mention Sia finding another woman's lipstick on her boyfriend's collar.
• Live Album: Lady Croissant, released in 2007.
• Lonely at the Top: Said word-for-word in "Big Girls Cry", where Sia describes in the second verse the impact that fame had on her; other interviews delving into her aversion to fame highlight how touring was lonely and travelling to a different place every day and promoting her music to death was making her sick.
• Lonely Piano Piece: "The Whisperer" and "I Forgive You" are almost entirely piano ballads, although are accompanied by some strings (especially near the end).
• Longest Song Goes Last: "Insidiously" on Healing is Difficult and "Dressed in Black" on 1000 Forms of Fear.
• Lost Pet Grievance: "Lentil" kind of, about her dog named Lentil. He didn't die, but she wasn't able to bring him with her from Australia when she moved to London and had to give him away. The fact the song is a tearjerking ballad about her guilt indicates she was heartbroken in a similar way to if he had passed away.
• Loudness War: 1000 Forms of Fear is one of the worst offenders. The lead single "Chandelier" in particular is mastered at DR3 and has very audible clipping. It holds up better than rock music of similar loudness, but it still sounds bad.
• Love Is Like Religion
  • Her song with Crisp, "Part":
    Won't be making you my religion
    Even though you are my saving grace
  • In "Cellophane", she compares her lover to a saint:
    Patience is your virtue, saint o' mine
• Lyric Swap: In live performances of her Madonna cover, "Oh Father", the line "Oh Father, I have sinned" is altered to "How was it that I sinned?".
• Lyric Video:
  • "Cheap Thrills" featuring Sean Paul features a '50s retraux-style dance show reminiscent of shows like American Bandstand.
  • "Move Your Body" features a little girl who ventures around a 1980s-style photo studio.
  • "Santa's Coming for Us" features Kristen Bell as she, her family and her guests prepare a household Holiday feast as they anticipate for Santa Claus.
• Lyrical Cold Open:
  • LSD's "It's Time" opens with Sia and the piano simultaneously.
  • "Play Dumb" opens with the chorus, but the music does not begin until the second line.
• Lyrical Dissonance:
  • At first, "Cloud" seems to be a happy, uplifting song. However, the lyrics are about a pessimistic jerk who enjoys messing things up for people because their own life is depressing.
  • One could say this about a great amount of her body of work; it shines the most on We Are Born and 1000 Forms of Fear.
  • "Chandelier" is an up-tempo electropop/R&B song about alcoholism.
  • "Dressed in Black" conceals its happy and hopeful lyrics with dark, intimidating instrumental.
  • A more downplayed example, but the lyrics of "Free the Animal" are extremely violent if you read them closely, even for a relatively dark song.
• Male Band, Female Singer: Sia's band consisted of men during her tours up until 2011. Also acted as the female singer of duo Zero 7 between 2001 and 2006.
• Melismatic Vocals: Distinctly on "Chandelier."
  • "Electric Bird", which stretches the word "art" into eleven syllables!
• Midword Rhyme: Very subtly on "Chandelier", though occasionally more obvious during live performances:
  I'm the one for a good time call
  Phone's blowing up, ringing my door-
  -bell
• Minimalistic Cover Art: Her earlier albums had bright and colourful artwork, but 1000 Forms of Fear and This is Acting had simpler artwork with a black background.
• Miniscule Rocking: "Riding On My Bike" comes in at 1:48. Justified in that it is specifically aimed for children.
• Missing Mom: The title character in the unreleased "Rose" is a young girl and school bully who is revealed to have lost her mother.
  She misses mama sadly
  This flower's growing weak
  No mama to hold hands with
  Rose falls to her knees
  She lets a tear fall softly in the schoolyard
• The Mistress: There are implications in "Hostage" that the protagonist is this, with multiples references to a "secret life". She also refers to herself as a "criminal in these parts".
  Secret life of lovers who have others under the covers
• Mood Whiplash
  • Some People Have Real Problems: The somber, almost eerie "I Go To Sleep" plays between the quirky and playful "Academia" and "Playground".
  • We Are Born: "I'm In Here" stands out as a sad pop song amongst an album of indie pop-rock energy. Also, "Big Girl, Little Girl" follows the album's typical fast-paced pop-rock vibe, before randomly switching to a raw, emotional piano outro.
  • 1000 Forms of Fear
    • The upbeat, positive "Burn the Pages" is between the heartbreaking ballads "Big Girls Cry" and "Eye of the Needle".
    • After two slower paced, simpler songs, the following track is the highly produced, electronic fast-paced "Elastic Heart".
  • This Is Acting: "Sweet Design" is an unusually sexy song that is also amusing as one does not expect such a song from Sia. It is placed between the beautiful "Footprints" and the powerful anthem "Broken Glass".
  • Reasonable Woman: The longer, poignant ballad "I Forgive You" is preceded by the Miniscule Rocking "Champion", a motivational song that somehow fits three rap verses from collaborators on it.
• Murder Ballad: Her collaboration with Zero 7, "If I Can't Have You…".
• Multilingual Song
  • In her collaboration with Ozuna and Doja Cat, "Del Mar", Sia sings on both the Spanish chorus and a verse in English.
  • She also sings in both English and Punjabi in "Hass Hass" with Diljit Dosanjh.
  • A less conventional example; during performances of "Soon We'll Be Found", Sia performs the song in sign language alongside her singing.
• Multinational Team: LSD is this; Labrinth is British, Sia is Australian, and Diplo is American.
• Music Video Overshadowing: "Chandelier" is an Ode to Intoxication. The music video depicts a Dance Moms star prancing around an empty house in Nude-Colored Clothes.
• New Sound Album: Sia started out as downtempo/Trip Hop. Her next two albums downplayed the electronic influences, and was more acoustic and mellow Indie Pop. We Are Born and 1000 Forms of Fear are both essentially pop, the former more twee-sounding with heavy guitar influence and the latter more mainstream-sounding.
• New Year Has Come: "3 Minutes 'Til New Years"
  If you've had a happy year
  Or a sad year
  It's a new year, now there's nothing to fear
  No, nothing to fear, now, no
• Nice Guy: Sia's lover in "Somersault".
  You talk to loners, you ask 'how's your week?'
  You give love to all, and give love to me
• Non-Appearing Title: "Lentil".
• Nude-Colored Clothes: In the music videos for "Chandelier" and "Elastic Heart", Maddie Ziegler is wearing a skin colored leotard. It's fairly obvious up close what's she's wearing, but in more distant shots she looks naked, which combined with the dancer being clearly underage can lead to unintentional invokedSquick.
• Ode to Sobriety: "Chandelier" starts off with a party girl bragging about her hard-drinking ways. But halfway through the chorus, it turns dark and the party girl sings about how she's just "holding on". The second verse has her hungover.
• Obligatory Bondage Song: "Hostage" could .... easily be interpreted this way.
• Odd Friendship: invoked Reclusive Artist and Celebrity is Overrated believer Sia has in recent years become close friends with the Famous for Being Famous Kardashian family, specifically Kim and Khloé. The same applies for her friendship with Paris Hilton that began in 2023.
• Older Than They Look: She hides her face in live appearances, has a rather dainty figure and mannerisms, and only broke into the mainstream in the 2010s. The fact that she's middle-aged (and has had a career for quite some time) comes as quite a shock to many newcomers.
• Old Shame: More broadly, Sia has always been prone to Self-Deprecation, but seems to specifically have something against her earliest work. Her debut album, OnlySee, only sold 1,200 copies and to date has never been released on streaming services, making it quite a rare collector's album for fans. Due to OnlySee's obscurity, Sia has often cited her sophomore album, Healing Is Difficult, as her first album, but even then has frequently joked about it and the next album Colour the Small One both flopping.
• Only One Name: Goes by her first name only, although her debut album OnlySee was released under her full name Sia Furler.
• Pep-Talk Song: "Death by Chocolate", "Burn the Pages", "Salted Wound" and "Angel by the Wings".
• Performance Anxiety: She is unable to face a large audience due to social anxiety (she's fine with smaller audiences).
• Person of Mass Destruction: Deconstructed in the music video of "Titanium." The boy only destroys his school due to Power Incontinence, and when a SWAT team goes after him, he uses his telekinesis to kill all of them solely out of self-defense.
• Pets as a Present: Sia will be quick to remind you that "puppies are forever, not just for Christmas".
• Precision F-Strike: Most of Sia's catalogue contains no explicit language. She dropped three F-bombs on Healing Is Difficult, and says "shit" in her 2000s songs "This Shit" and "Blame It on the Radio", although neither were officially released. Sia herself would not swear again in a song until 2024 with the release of "Incredible" (although it is worth noting that snippets of "Incredible" had surfaced in 2019).
  Gimme all your venom, yeah I love that shit
• Precious Puppy: "Puppies Are Forever".
• Protest Song: The song "One Candle" calls for people to stand together and protect animals from extinction.
• Real Life Writes the Plot: The music video for "The Greatest" pays tribute to the Orlando nightclub shooting victims, though the song was written beforehand.
• Rearrange the Song: "I'm Not Important to You" and "Sober and Unkissed" from Healing Is Difficult are reworked versions of her Crisp collaboration "Sia's Song" and her previous album's "Soon", respectively.
  • Some very early performances of "Breathe Me" and "Buttons" were performed in the style of remixes rather than the original song.
  • "Destiny" with Zero 7 was a sultry, downtempo electronic song. By the late 2000s, Sia's live performances of the song had shifted to a faster paced, indie / alternative rock song.
• Recovered Addict: After years of addictions to alcohol, drugs and painkillers, Sia has been sober since September 2010.
• Recycled Lyrics: Both 2008's "Lullaby" and 2014's "Burn the Pages":
  Place your past into a book
  Burn the pages, let 'em cook
• Red/Green Contrast: The album cover for Everyday Is Christmas.
• Reformed Bully: The protagonist of "The Bully", which is autobiographical, indicating this applies to Sia. The song acts as an apology to a girl she bullied in primary school.
  Making you suffer
  Wondering how you got your scars
  Only in hindsight
  I wish I had taken you in my arms
• Retraux: The video for "Cheap Thrills" featuring Sean Paul featuring two dancers wearing her signature two-toned wig among the dancers donning '50s Hair in a 50s-style dance show.
• Revenge Ballad: Her unreleased song "Forget My Name".
• Rock Is Authentic, Pop Is Shallow: More like indie rather than explicitly rock, but Sia admitted having this mindset in the early 2010s. She did indeed write "Titanium", but the idea of her singing it and her name being attached to an EDM house track made her embarrassed after spending over ten trying to build a career as a credible indie artist.
• Sampling
  • "Taken For Granted" samples Sergei Prokofiev's classical "Montagues and Capulets".
  • "Reaper" samples Kanye West's "After You".
  • "Sweet Design" samples Sisqó's "Thong Song".
• Self-Deprecation: "This is what you can expect from me at any given show."
  • Constantly refers to her earlier albums, especially Healing Is Difficult, as flops.
• Self-Empowerment Anthem: "Bird Set Free", "Alive", "The Greatest" and "Never Give Up".
• Self-Harm: "Breathe Me" is about someone who self-harms and is asking for help.
• Series Fauxnale: Sia revealed that she only made 1000 Forms Of Fear to get out of her label contract as a singer. Thus meaning that if it had done poorly, it would have been her final album. However, since it was positively received, she decided to make This Is Acting.
• "Sesame Street" Cred: Appeared on Sesame Street in 2017; she wore a wig that revealed her face, but had a large red clown nose on to help obscure her face partially.
• Sex with the Ex: Described in "Fear":
  Ella is worried about her weight
  She won't eat in public anymore
  She is fucking her ex again
  When they've finished she sleeps on the floor
• Shout-Out
  • "Sweet Potato" includes the lyrics: "She knows to boil the kettle when you hum bars from Grease"
  • "You're My Flame" with Zero 7 mentions a Happy Meal.
  • "Sweet Design" includes the lyrics: "Thong Song, I'ma bring the part 2"
  • From LSD's "Genius": "You'll be my Einstein, my Newton, my Galileo and my Hawking".
  • The music video for LSD's "No New Friends" features a very Dr. Seussian setting.
  • "Together" name-drops Stevie Wonder, one of Sia's influences.
• Silly Love Songs: "Somersault", "Day Too Soon", "Never Gonna Leave Me", "Golden" with Travie McCoy, "Step By Step".
• Singer Namedrop: Not actually in her work, but parodied in her appearance as herself in Nobodies, in which she portrays a fictionalized version of herself recording a theme song for a TV show with Melissa McCarthy, who ridicules her for putting her own name in the song.
• Singing Voice Dissonance: Sia is known for her deep, powerful raspy vocals (sometimes also slurred and cursive), but her speaking voice is much higher and, especially in the 2000s, she at times almost speaks at a childlike pitch (plus her then-strong Australian accent).
• Small Start, Big Finish: "Breathe Me", especially live.
• Smitten Teenage Girl: Likens herself to this in "Underneath the Mistletoe".
  I've got a crush, la la la la la la
  Like a schoolgirl
• Snowlem: The two Concept Video for "Snowman" tell stories of Sia's friendship and adventure with a pair of snowmen.
• Snowy Sleigh Bells: As one would expect, multiple times in Everyday Is Christmas.
• The Something Song
  • Her solo track "Sia's Song" on the Crisp EP Word and the Deal, which was later reworked into "I'm Not Important to You" on her album Healing Is Difficult.
  • "Natale's Song" from Colour the Small One.
• Stepford Smiler:
  • "Chandelier" is about a depressed Hard-Drinking Party Girl who turns to a night of drunken debauchery to try and push down a gnawing sense of fear and distress.
    Help me, I'm holding on for dear life
    Won't look down, won't open my eyes
    Keep my glass full 'til morning light
    'Cause I'm just holding out for tonight
  • "Unstoppable" is about how cool she is... so she can't show any weakness:
    Leave my sunglasses on while I shed a tear
    It's never the right time, yeah, yeah
    I put my armor on, show you how strong how I am
    • Even more apparent in the Perfect Isn't Pretty Mix of "Unstoppable", which has slightly different lyrics:
      I'm unstoppable, until you look the other way
• Stock Rhymes:
  • Heart/apart in "Take It to Heart":
    There's no need to take it to heart
    Only the truth can tear you apart
  • Dance/chance/romance in "Clap Your Hands":
    Come on dance, take a chance on romance
  • Together/forever in "I Had a Heart":
    I thought we'd be together forever
• Stuffy Old Songs About the Buttocks: "Sweet Design", which was written for Jennifer Lopez but ended up on This Is Acting.
  News travels fast when you've got an ass like my sweet design
  Baby got back, I'ma clap that
  It's a man trap, I'ma move it to the hi-hat
  Watch my sweet design
• Surprise Incest: "Butterflies" plays this on the listeners. It sounds like just a regular song about lingering awkwardness in a relationship, until the very last line right at the end of the song, when she casually remarks "Because we came from the same cocoon".
• Swan Boats: Rides one in the “Day Too Soon” music video.
• Take That, Critics!: "Titanium" can be interpreted as this.
• 10-Minute Retirement: Due to her discomfort with her growing fame and the effects that touring took on her mental health, Sia planned to retire from performing in 2011 and focus on songwriting alone. However, due to having to release one more album under her publishing deal, as well as the success of collaborations such as "Titanium", Sia found mainstream success and in 2016 she decided she was stable enough to tour again.
• Textless Album Cover: Everyday Is Christmas.
• Title-Only Chorus: "Wanna Be Known".
• Title Track: Onlysee, Healing Is Difficult, Everyday Is Christmas and Music.
• Toxic Friend Influence: "Insidiously" has Sia calling out a toxic friend:
  I tell you if that's what you're about
  Friends like you I can do without
• Trip Hop: Her work in the 1990s and early 2000s, including collaborations with Crisp and Zero 7.
• Trrrilling Rrrs: In "Del Mar".
• Truck Driver's Gear Change: "Broken Glass" has two key changes!
• True Art Is Angsty: Opposes to this trope, as she discusses in the Wisdom of Trauma interview with Gabor Mate. Her counterargument is that both her positive and negative songs have been equally as positively received.
• Under the Mistletoe: "Underneath the Mistletoe"; also mentioned in "Sing For My Life".
• Unkempt Beauty: Pre-fame, she almost always appeared this way, with little to no makeup and Messy Hair. Compare her seated next to Christina Aguilera here◊.
• Unplugged Version
  • The final track of We Are Born is an acoustic version of "I'm In Here". It's labeled "Piano Vocal Version" because those are the only instruments.
  • Piano versions of "Chandelier" and "Elastic Heart" were released on the deluxe version of 1000 Forms of Fear.
  • Sia performs a piano version of "Titanium" rather than David Guetta's version. The piano version was finally released to streaming services to coincide with the song's appearance in the film M3GAN.
• Video Full of Film Clips: "Rainbow", from My Little Pony: The Movie (2017), alternates between scenes from the film, including her character Songbird Serenade, and footage of dancer Maddie Ziegler, who has a habit of appearing in Sia's music videos.
• Vocal Evolution: In the 1990s, she had much more of a throaty, slurred voice reminiscent of Amy Winehouse. In the mid-2000s, her vocal delivery was much softer and even whispery, with more emphasis on enunciation. In the late 2000s, her singing voice had become more like what it is known for today; powerful and distinct, although healthier than it sounded in the 90s. By the 2020s, the aging Sia seems to have developed a much brighter tone.
• We All Die Someday:
  • Her collaboration with Zero 7, "Waiting to Die".
    Yes, it is true, death is everyone's fate
    But we've made it this far, it's time to celebrate
  • Also discussed on "That's Life", a collaboration between 88-Keys and Mac Miller that Sia later joined after Miller's death.
    Everybody lives, and everybody dies one day
    That's life, what'cha gonna do?
• Wham Line
  • The way the music stops for a moment in "Fear" after the following line to emphasize Sia's personal fear:
    And sometimes I worry my boyfriend will die
    My first love is already dead
  • "Butterflies" is a Silly Love Song, but the final line "Because we came from the same cocoon" indicates that it's talking about siblings.
  • Sia gushes about a beloved boyfriend in the first verse of "Confetti", until the line "I felt evey cell fall in love with you, but..." before revealing that he was unfaithful. The second verse delivers a similar blow; "I found lipstick on your collar... wasn't my colour".
• What the Hell Is That Accent?: Even Sia herself has poked fun at this. She's Australian, but on quite a few of her recent songs, she borders on The Unintelligible, and seems to cross between several accents (Australian, British, vaguely Caribbean, and American), as well as a bit of slurring and mumbling. Her speaking voice also seems to be easily influenced; interviews from the early 2000s (when she lived in the UK) some phrases sound very English, and nowadays her speaking accent has clear American influence after living there for 2 decades.
• "When I'm Gone" Song: "Dreaming", a collaboration with Zero 7, seems to be written from the perspective of someone who has died and are telling their lover to move on.
• Word Salad Lyrics: "Buttons"l
• World Tour: The things that Sia wants to do to with her lover in "One Night" include a night in Milan and Cairo, visit rooftops in Manhattan, visit Paris for the fashion, dancing in Jamaica and racing cars in Asia.
• You Are Not Alone: "Rainbow" gives off this feeling, with the singer encouraging invoked someone who has been through hard times to get better.
  I am here and I see your pain
  Through the storm, through the clouds, the rain
  I'm telling you you cannot escape
  You can do it, just feel, baby
  • Also present in "Courage To Change":
    You're not alone in all this
    You're not alone, I promise
    Standing together we can do anything
• Your Costume Needs Work: At Katy Perry's Witness World Wide dinner, Sia recalls being told by someone that she looked like a prettier version of Sia.
• Your Makeup Is Running: Mentioned in "Big Girls Cry":
  I may cry ruining my makeup