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Affectionate Parody

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"With MSPA I am always on the lookout for raw material to manipulate in esoteric ways, and it's usually garnered through satire. But then I ride that material pretty hard, and before you even know what's going on, it's not satirical anymore! Ask yourself this: at what point did John's love of Con Air cease to be a mockery of the film, and became more of a SHRINE to it? Hard to say."

Many parodies take things apart to laugh with the work and the fans. Malice is almost never intended to the source, just good fun.

Affectionate Parodies are generally done by fans (and sometimes creators) of the source material. Don't presume, however, that because of this, the Affectionate Parody can't be harsh; ultimately, it can be even more cutting than usual. As devotees of the thing parodied, the creators know exactly where its faults, flaws, and weak points are and can use that in full effect. Knowing enough about the source material, good and bad, can help the creators avoid making a Redundant Parody or a situation where they Spoofed the Ironic Film Seriously. Unfortunately, if the jokes are mean-spirited enough about their subjects in general, fans might mistake the creators for hating the subjects and, well, it can lead to Misaimed Fandom.

They often function as both a send-up of a genre and an honest member of it. Generally, there's some kind of underlying plot, a twisted version of a stock tale, and actual characters, even if they're swathed in cliches like a mummy in wrappings. Some of them can lean more toward the "Affectionate" than the "Parody" and just seem like more light-hearted versions of the usual with maybe some Lampshade Hanging. Very often, affectionate parodies are based on humoring as many tropes typical of the genre as possible, and can easily be classified as Troperiffic.

Often times, being parodied is a sign of doing something right. Being parodied by well known artists like Weird Al or South Park means that you've made something big, and is the price of making a hit. However, it can mean that the parodied work becomes too popular and overrated due to the influx of new fans from the likes of Weird Al and South Park, the latter having a very large Misaimed Fandom. When the parody is well received by the creator of the original, then this is Approval of God.

Many a comedy Fanfic has used this.

See also Satire/Parody/Pastiche and Adam Westing, where the original actor joins in the fun. If an Affectionate Parody is so loving that the parody aspect falls out, it is an Indecisive Parody, and may be a sign that the creators are about to make a Decon-Recon Switch.

Compare Take That!, where the parody/reference is a lot less affectionate.

Contrast Deconstructive Parody, though the two can overlap.


Example subpages


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    Advertising 
  • This commercial spoofs kaiju. Ultraman in particular. Also '80s (neo-classical) power metal.
  • This Irn-Bru advert spoofs the flying sequence from Christmas classic The Snowman. Showing a variety of Scottish landmarks instead of ones from the South East of England and the music is a parody version of Walking in the Air.
  • The 2015 San Francisco Giants' parody of the Full House opening, aptly named Full Clubhouse. Brandon Crawford rocking his long hair and strumming a guitar like Uncle Jesse, Hunter Pence polishing his scooter, and Jeremy Affeldt's shit-eating grin must be seen to be believed.
  • UFO Kamen Yakisoban ads are a parody of tokusatsu series such as Kamen Rider, starring Yakisoban, a noodle-themed superhero who fought the evil kettle thief Kettler. The ads themselves also got a parody in "Kakesoban," a superhero who suffered amusing injuries and failed to beat Kettler, who was a heavy smoker.
  • Taco Bell's semi-annual advertisements for its Nacho Fries are Real Trailer Fake Movies that parody several different movie genres. So far, they've done a conspiracy thriller, a dystopian film, a musical biopic, a buddy picture, a Science Fiction film, a horror film, and a mecha anime.
    • Some of the commercials are parodies of very specific subgenres, while others are more broad. The dystopian film is specifically a parody of dystopian YA novel adaptations like The Hunger Games or Divergent, the science fiction film is a parody of space exploration movies and takes heavy influence from Interstellar, and the horror film is a parody of the Haunted House subgenre of horror. The final commercial that was released for the Nacho Fries campaign, meanwhile, was based entirely on fan comments and can best be described as a sci-fi buddy comedy that's a mix between Palm Springs and Mad Max: Fury Road.

    Comic Books 
  • Lucky Luke, by Morris and (most of it) René Goscinny is an affectionate parody of just about everything one can find in the Western genre.
  • While Alan Moore's Miracleman and Watchmen were dark deconstructions of the Super Hero genre, his later 1963 is an affectionate parody of the Silver Age.
    • The same could be said of his run on Supreme which used many goofy Silver Age-style ideas and stories. Extra points for the fact Moore also made a parody of a parody, taking the MAD Superman parody Superduperman and writing one based on Supreme, who himself is a Superman analogue.
    • 1963 is an Affectionate Parody of the stories and characters of the Silver Age, but more of a pointed Take That! to the creators behind them, with the letters pages implying that "Affable" Al Moore (Moore's fictionalised version of himself within the 1963 universe and a clear take-off of "Smilin'" Stan Lee) is an egotistical tyrant who shamelessly takes credit for the achievements of others.
  • Supergirl: Cosmic Adventures in the 8th Grade is an affectionate parody of the Silver Age of Comics. Supergirl is a massive weirdness magnet and her best friend is Mad Science incarnate.
  • The Nextwave comic book series.
    It's an absolute distillation of the superhero genre. No plot lines, characters, emotions, nothing whatsoever. It's people posing in the street for no good reason. It is people getting kicked, and then exploding.
  • The Assistant Editor's Month frequently created such stories, but perhaps the most affectionate of the lot was "Once an Avenger, Always an Avenger!" (Iron Man #178), a story parodying the current events of the Iron Man comic (as well as Marvel's generally melodramatic writing style), but with an Avengers fan club instead. Complete with images of the Iron Man-cosplaying kid drowning his sorrows in soda after being fired from the team so as to respect the current roster.
  • Marvel Comics frequently does this in its own media. One of the most prominent examples is the world of Peter Porker: The Spectacular Spider-Ham, an anthropomorphic animal version of the Marvel Universe. Alternate reality storylines, such as the ones in Excalibur, also included humorous parodies.
    • What makes the Supermegatopia Spider-Ham an affectionate parody of an affectionate parody, apparently, as the SMT take on her is to make her a cute, if slightly plump, girl. The sarcasm is retained, as well as a slight desire to just stay home and watch TV instead.
    • Really, this was the entire point of the What The title, with one issue featuring Man-Thang and Swamp-Thang getting into a largely ineffective fight over who stole whose origin; Frank Casket, the Pulveriser, and his Cloud Cuckoolander war against crime; and Wrillimean, a Wolverine spoof who spoke entirely in "Slice and dice! No quarter! I'm the best at what I do and I ain't pretty!"
    • Mutant Beach Party, a version of a lot of the events of 80s X-Men stories condensed into two parts.
  • Little Ego, by Vittorio Giardino, is an erotic parody of Little Nemo. Though the art style was a lot more realistic, it retains the color, odd plot shifts, multi-panels and, of course, the main character waking up in her bed at the end.
  • Runaways uses this as well, especially with Victor Mancha, who is programmed to worship in-universe superheroes and often plays straight man to the more smarter of the group.
  • Green Lantern: Word of God states that Kyle Rayner's stint as Parallax during the Sinestro Corps War was meant to be a parody of Kyle's interactions with Hal Jordan when he was Green Lantern and Hal was Parallax.
  • 1982's The Fantastic Four Roast, written and laid out by Fred Hembeck and issue #34 of Marvel's What If...? series (first version), were some of the gut-bustingly funny send-ups drawn straight ever.
  • Doug TenNapel's one-shot comic, Solomon Fix, is an affectionate parody of the British. It was inspired by the "fancy Englishmen" TenNapel worked with while making Earthworm Jim.
  • MAD magazine was for nearly its entire run defined by its parodies of major TV shows and movies... and real life as well.
  • Adolescent Radioactive Black Belt Hamsters is the first Teenage Mutant Samurai Wombats parody of the Teenage Mutant Ninja Turtles.
  • Deadpool as a character tends to be an affectionate parody of the Dark Age of Comics and of stereotypical '90s anti-heroes.
  • Wilq is a mix of Superman (capable of flight, wears a cape) and Batman (how he wants to be perceived).
  • Inodoro Pereyra, a comicbook from the Argentinian writer "Negro" Fontanarrosa, is an affectionate parody of El Gaucho Martín Fierro.
  • Superlópez: In Spain, the Supergroup stories are considered one of the finest parodies of the superhero genre.
  • Colt Noble and the Megalords was a one-shot from Image that is this in regards to Masters of the Universe, though very much more "affectionate" than "parody" as it doesn't directly mock any of the elements lifted from He-Man so much as create comical situations around them (such as the characterization of Prince Jaysen/Colt Noble as a horny idiot and Archfiend as the world's worst boyfriend). The continuation in Mini Comics Included did parody one specific element of the original He-Man toyline: namely, the premise behind He-Man impersonator Faker, who has blue skin and orange hair. The Faker equivalent, Duper, is fired by Archfiend because he can change shape but not colors, but ends up fooling Colt's love interest Mareea because she's colorblind.
  • Ultimate Adventures is a parody of the Batman franchise, in which the vigilante is a deluded billionaire who relies heavily upon his teenaged sidekick.
  • Bongo Comics Radioactive Man parody of 1980s comics, Who Washes the Washmen's Infinite Secrets of Legendary Crossover Knight Wars, is a shining example of how to do this. It is spot-on and obviously written and illustrated by creators who love those comics. Just as importantly, it is very funny - so funny, in fact, that you don't even have to know what they're parodying to enjoy it.
  • Largely the point of Planetary, in which each issue explores a skewed version of a particular pop-culture icon through the eyes of the main characters; Japanese kaiju movies one issue, 1960s super-spy thrillers another, and so on. It was often Played for Drama, however, in that while the writers were clearly affectionate towards many of the things they were drawing upon, they were also willing to criticise as well; to illustrate, one issue featured a group of characters clearly based on the Vertigo Comics characters of the 1980s and 1990s, and while one of them passionately champions their political and social relevance and edginess, another bluntly points out that when taken out of that specific set of contexts and appearing in the present day, they can't help but look a bit silly.
  • The Adventures of Philip and Francis by Pierre Veys and Nicolas Barral, published by Dargaud, the same publisher as the original books, Blake and Mortimer. Published albums include The Empire Under Threat, The Machiavellian Trap and the (supposedly) upcoming The Yellow "M" vs. Godzilla.
  • Wrong Earth pokes fun of Batman through the premise of there being two Batman type characters existing in two different universes: Dragonflyman is a parody of Batman (1966) and comes from a campy and at times silly universe, while Dragonfly is a parody of more darker versions of Batman and comes from a brutal and overly violent universe. The premise is that they accidentally swap universes, with much hilarity coming from how both of them react to the worlds they are in. Despite both characters being heavily exaggerated versions of Batman however, they both portrayed as competent crime fighters with plenty of depth to their characters, which makes it clear that this was written as a love letter to the franchise.
  • Teenage Mutant Ninja Turtles began as a Daredevil parody, riffing on Frank Miller's ninja-heavy reinvention of the series in the 1980s. It's since become...quite a bit more than that.
  • Age of the Sentry spends a lot of time mocking the foibles of the Superman stories of the 50s and 60s, and plays the idea of a character operating on Silver Age DC rules in the relatively more grounded Silver Age Marvel for all it's worth. However, it also shows a great deal of fondness for those stories, and goes out of its way to match their tone and storytelling, throwing in dozens of little nods to Superman's history. The last issue goes so far as to feature a possible explanation for Sentry's true origin and nature, that is also a barely-veiled argument against DC's attempts to reboot Superman to be more like Marvel or more "realistic", claiming they get rid of what gives the character life.
  • Angry Birds Comics: Game Play: Master Pig Theatre: The Strange Case of Minion Jakyll & Mr. Hyde is this to The Strange Case of Dr. Jekyll and Mr. Hyde.

    Comic Strips 

    Films — Animation 
  • Phil Lord & Chris Miller have made a career of making very manic and creative parody films and many of them have been animated.
    • Cloudy with a Chance of Meatballs takes the concept of the book and turns it into a parody of disaster films.
    • The LEGO Movie frequently (though not completely) parodies summer blockbuster movies. The fact that everything's Built with LEGO helps, as even the most spectacular explosions and overloaded action sequences end up sillier as a result.
    • America: The Motion Picture is a comedic riff that parodies everything that is considered American (including its folklore, politics, and history).
  • Boogie is a massive spoof towards the suave, cool, Private Detective badass, as well as Film Noir and Heroic Bloodshed cinema. The titular "hero" is anything but heroic (beating up senior citizens and not giving a single shits on civilian casualties and collateral damage) and definitely NOT cool (he burps, farts, and beats up women). Onscreen deaths of children and old people alike are Played for Laughs, and somehow the movie makes it work.
  • Chicken Run is a stop motion animated version of The Great Escape and other prisoner-of-war escape movies. Albeit with a happier ending.
  • In Frozen II, Kristoff's solo song, "Lost In The Woods", is one big love letter to 80's power ballads and the common cliches in their music videos, including dramatic angles and lighting, loud guitar twangs, soulful close-ups of his face superimposed onto the shot, and using a hanging pinecone like a studio microphone. To top it all off, it's a sort of fantasy sequence in which Sven and the other reindeer of the forest are singing with him part of the time as backing vocalists.
  • Mr. Puzzles Wants You to Be Less Alive is an ostensibly AI-generated script that was animated, skewering horror tropes and specific properties.
  • Shark Tale is an affectionate parody of gangster films, which probably helps in that they feature Robert de Niro as the Don, and he played Vito in the second Godfather movie.
  • South Park: Bigger, Longer & Uncut is a parody of musicals and Disney films. Odd combination but it surprisingly works.
  • Kung Fu Panda is an affectionate parody of Wuxia films, while being a sincere example at the same time.
  • Rango is an affectionate parody of the Spaghetti Western.
  • Hotel Transylvania (2012) is an affectionate parody of Universal Horror and vampire movies.
  • Igor is an affectionate parody of Universal Horror and the Frankenstein movies in particular.
  • The "I'll Make a Man Out of You" sequence in Mulan (1998) can be seen as an affectionate parody of a Boot Camp Episode.
  • Surf's Up parodies the mockumentary.
  • The SpongeBob Movie: Sponge Out of Water is one of Pirate movies, the Belic conflicts, the post-apocalyptic genre, and the Superhero blockbuster.
  • It would probably be easier to list the things The LEGO Batman Movie doesn't parody about the Dark Knight. His over-the-top edginess, his relationship with The Joker literally being played like a romance, his Informed Loner tendencies, you name it. They even take some affectionate shots at the nature of the live action Batman films themselves, and imply every incarnation of Batman was just a different phase he went through.
    Alfred Pennyworth: Sir, if you don't mind my saying, I'm a little concerned. I've seen you go through similar phases in 2016, and 2012, and 2008, and 2005, and 1997, and 1995, and 1992, and 1989... and that weird one in 1966.
  • Ronal the Barbarian parodies the Conan the Barbarian franchise.
  • Megamind is one for superheroes, with a few small touches of Deconstructive Parody mixed in.

    Magazines 
  • Much like fellow publication Animage, 月刊OUT (1977) enjoyed publishing parody manga. These include:
    • Char Neko no Koto (a parody of Mobile Suit Gundam by Ai Naniwa). A retelling of the events of the anime...except they're all cats.
    • Strange Aristocratic Story (a parody of Voltes V by Yuuki Masami). The story centers around a Royal Family gripping with drama between the Prince and the other nobles, with Mac Beth-level backstabbings.
    • My Home Gjie (a parody of Space Runaway Ideon by Sesaku Iwasaki). A Slice of Life series about the married life of Gjie and Cheryl, and their next-door neighbours, the Jordan family.
    • Even freakin' Batman shows up in one parody manga!
    Pinball 

    Professional Wrestling 

    Puppet Shows 

    Radio 
  • The Stan Freberg Show: Stan Freberg recorded several Affectionate Parodies of Dragnet, including "St. George and the Dragonet" and "Little Blue Riding Hood" ("only the color of the hood has been changed to prevent an investigation"). The supposed Dragnet catchphrase "just the facts, ma'am" originated in these parodies.
  • I'm Sorry I Haven't a Clue was of other Panel Games and Game Shows:
    • Most notable is the "Just A Minim" round, where they have to sing a well-known song without hesitation, repetition, or deviation — needless to say, the songs are deliberately chosen to make this hard, Old McDonald Had A Farm being one hilarious example. Since Jack Dee took over as host, the parody has extended to Jack channelling Just a Minute chairman Nicholas Parsons' effusive hosting style.
    • In unrelated rounds that involve the buzzer (such as 'Word for Word'), panellists (particularly Tim note ) have also been known to issue challenges of hesitation, deviation or repetition.
  • I'm Sorry I'll Read That Again always had an extended sketch at the end of each episode, presented as the Prune Play Of The Week. These were often affectionate parodies of plays, books, genres, or whatever was on TV at the time. Their parody of Star Trek: The Original Series is quite memorable, mostly for being a parody of something still well-known.
    Spock: Illogical, captain. Allow me to raise my eyebrow to signify how ridiculous that is.
    Announcer: See him! See him raise the incredible eyebrow!
    Spock: And now...the other eyebrow. [fanfare]
    Announcer: The other eyebrow! Oh, the talent! Oh, the joy!
    Spock: And now... [drumroll]... both eyebrows at once! [fanfare]
    Announcer: Fantastic! Magnificent!
  • In and Out of the Kitchen is a parody of lifestyle cookery shows.

    Sports 

    Tabletop Games 

    Theatre 

    Theme Parks 

    Web Animation 

    Webcomics 

Alternative Title(s): Affectionate Parodies

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Rumi Meets Jinu

Rumi meets Jinu in a K-Drama style.

How well does it match the trope?

4.75 (4 votes)

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